The Photograph Taken in February, 1992
Below is an extract from a commercial feature I had published in a
“glossy” in 2007. The centrepiece was the photograph reproduced above. I am now
re-using these in this blog without further comment other than to say I used
this experience (heavily fictionalised) for one of the stories in The Eve of St Eligius, Proof
Positive.
The visit I made in February, 1992 was about the twentieth I’d
made to Mynydd Illtud Common, near Libanus in the Brecon Beacons. This time,
though, I wasn’t looking for any of the usual sights. I’d come in search of a
ghost I’d been told about.
As usual, the land near the centre was well-tended, almost
manicured. Even Bedd Illtud, the supposed grave of St. Illtud (it’s actually
too old for that), roughly in the centre of the Common, was pleasantly situated
on a quiet but accessible piece of moorland.
The short trek from the centre to the old church was a different
prospect. I had to pick my way along boggy paths well furnished with
shoe-sucking mud, brave the snarls of unwelcome from farm dogs and climb over a
few broken stiles. One of these consisted more of rusty binding-wire than of
wood. I collected a grazed hand by scrambling over. The mending of the stile
looked to be a temporary and careless repair, lashed together by an unknown
hand fifty or more years before.
I’d started my journey later than intended. By the time I reached
my goal the sky was already threateningly low and brooding. It was with some
sense of achievement I stood before the Church of St. Illtud, even though I’d
seen it a number of times before on finer days.
The Church of St Illtud is an unremarkable nineteenth-century
building. It had been built only in 1858, although almost certainly on the site
of an earlier structure. Now it was abandoned and securely locked up. And it
did look neglected indeed. The wooden shutters covering the windows were cracked
and splintered; the stonework was flaking; many of the roof-slates were loose
or missing. The whole had an unkempt look.
The building on that late afternoon in February looked ready to
fall down. The wonder to me was that a church should have been built here at
all. The congregation must have been pitifully small, even in the glory days
eighty or so years before, and even if the people were drawn from all the farms
in a wide radius.
Still, I knew I was looking at this with late twentieth-century
eyes. When the site had been chosen years before, the builders would have had
it in mind that this was the location of what was supposed to be the “Llan” of
St. Illtud. “Llan” doesn’t simply mean “church” as is usually supposed (a
direct translation would be “eglwys”) but “holy enclosure of a saint”. I saw it
was quite possible to make out a dark circle among the rocks and trees.
The church was built in the centre of this circle. The oddest
thing of all was that no significant vegetation, hardly even a blade of grass,
grew within its circumference. I had been vaguely aware of this on my previous
visits, but now seeing it in the now-fading late afternoon light was a
distinctly eerie experience.
I circled the church, looking for the thing I thought I’d seen
here a few months before. Sure enough, there was one shutter more broken than
the rest, set high up in a side wall. I was just about able to peek through it
by standing on tip-toe, but was disappointed to find I was barely able to make
out the shapes of some pews and a pulpit in the interior gloom.
The light was now receding fast. It was almost twilight, but it
seemed to me it would never be wholly light inside the church. Still, I’d come
prepared. With both hands I lifted up my flash camera to the opening and took a
shot. Then I left, glad to get away from this sombre place.
*
Digital cameras weren’t a feature of life in 1992 and the best
part of a week had passed before I received my black-and-white prints back in
the post. By that time I’d forgotten all about the flash photograph I’d taken
through the cracked wooden shutter. I was keener to see the shots I’d taken of
the tumulus of St. Illtud and a few of the surrounding Brecon Beacons.
So it was something of a surprise for me to see this one, dark
and grainy among the sharp and pristine pictures I’d taken earlier in the day.
I could make out the pews, the pulpit and the interior church wall. The last
seemed in surprisingly good repair in comparison to the crumbling exterior.
But then I saw, near the back of the Church, a white-garbed
figure. The ghost of St Illtud, I immediately thought. I wished the photograph
had been better illuminated, so that I could more easily make out exactly what
it was I’d caught on camera.
Eventually, I decided all I’d photographed was no more
than an image of a door in the screen-like structure. Now I’m not so sure. What
do you think?
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You are lucky, to find a magazine which specialises in stories of hauntings, etc. What's the address?
ReplyDeleteSorry, I should have said the magazine (Country Quest) disappeared about two years ago. The magazine business is very volatile. One of my previous 'regulars', a family history magazine, ceased publication only last year. Some time ago, the owners of another magazine were declared bankrupt owing me over £400. Not long before that, another magazine went bust and I never again saw the (I thought) set of fine b&w prints of model soldiers they were going to use.
ReplyDeleteBut CQ wasn't a specialist 'Eldritch' magazine. Over the years mine I contributed many times and mine was the only 'ghostly' feature I saw. In any event, although I used the title 'The Mynydd Illud Ghost, only this part of the article was concerned with the supernatural. The rest was about the Mountain Centre generally, THIS is still there!